The Rancher Hadn’t Smiled in 7 Years—Until The Obese Widow’s Little Girl Said “My Mama Can Fix That”
Chapter 4
The goat chewed through its first rope by mid-morning. Ruth tied a second, thicker, drove the stake deeper; the goat pulled it clean out of the ground and stood in the yard with it draped around its neck like jewelry. Meanwhile the chickens found a gap in the east wire and proceeded through with the smooth efficiency of animals that had been organizing this escape for days, and Duke took up his position at the fence and stared at the mare with the unwavering focus of a poet composing a very long elegy.
June observed all of this from the porch, chin in her hands.
“Cornbread doesn’t like the rope,” she said, having named the goat the day before and considered the matter settled. “And the chickens want to be on the other side. And Duke is in love.”
She thought about it seriously. “I’ll talk to them.”
She climbed down and crouched in front of the goat and had a conversation with it in a low, serious voice that went on for several minutes. The goat appeared to listen. It did not stop crossing the fence, but it began waiting until June was occupied elsewhere before it did — a tactical cunning that worried Ruth far more than it comforted her.
It was during one of these chases — Ruth moving fast across the uneven yard, skirts in both hands, dark hair coming loose from its pins — that she heard laughter from the direction of the bunkhouse. The suppressed kind, the kind that had been held too long and was leaking out in pieces. Two of the neighbor’s ranch hands had found something deeply interesting to examine near the fence line.
Ruth stopped. She straightened up. She looked at them directly, and they found urgent business elsewhere with impressive speed.
She looked across the property. Elias Brandt was coming out of his barn, and she could tell by the deliberate, too-careful way of a man aiming his eyes somewhere else on purpose that he had seen all of it. The line of his shoulders coming and going was not quite the same line, as though something in him had moved an inch — something he had not authorized and would never admit to.
Ruth noticed. She said nothing. But she noticed.
It was a butterfly that took June across the fence for the first time. Yellow, large, it landed on the fence post and then lifted and drifted toward the neighboring property, and June followed it with the same completeness — simply there one moment, gone the next. When Ruth looked up, June was standing in the long grass of the neighbor’s land, hand outstretched, the butterfly resting on her finger, her small face going perfectly still, the way a child goes still in the presence of something sacred.
Elias Brandt was twenty feet away, working on a barn wall. On his face was something Ruth had not seen there before — not the careful, closed expression he wore for everything, but something underneath it, something that had been covered a long time and was not entirely covered now. He looked at June as though looking at her were a bill he could not afford.
Ruth started toward the fence. Then she stopped herself.
The butterfly lifted. June watched it go, then turned and saw Elias.
“There was a butterfly,” she said.
He nodded. “I saw it.”
“It was yellow,” she added helpfully.
“I know,” he said.
June nodded, satisfied that the facts had been established, and looked at the barn wall. “What’s wrong with it?”
“The board’s rotted.”
She examined it seriously. “That one right beside it’s rotten, too.”
He looked. “You’re right,” he said.
And June looked quietly pleased, and she stood there watching him work with the easy comfort of a child who has not yet learned that silence between people requires management. And he did not ask her to go.
Ruth stood at the fence and watched her daughter stand in that easy, total silence beside a man who had not willingly shared anyone’s company in seven years. She lowered her hand from the wire. She did not call June back.
The breakfast happened on a Thursday. Duke had spent two days working on the gate latch with patient, focused attention until he understood the mechanism — and, apparently, Cornbread had shared this intelligence with the chickens. Elias Brandt came down to find his barn gate open, Cornbread sitting on his kitchen chair, and three chickens in the vegetable garden. He dealt with the barn and the chickens, then came back to find Cornbread on his chair and his breakfast eaten directly off his plate — every egg, all the bread, consumed with the focused, professional attention of an animal that regards the world as its own larder.
He stood in the kitchen looking at the empty plate for a long moment. From outside came the sound of running boots on uneven ground, and Ruth appeared in his open doorway, hair half undone, a rope in one hand that had clearly been doing no good at all, her face wearing the expression of a woman who is genuinely mortified but has also stopped being surprised by anything.
“I’m so sorry,” she said. “The gate — I don’t know how he —”
Elias picked up the plate and carried it to the sink. “Two eggs,” he said. “It’s fine.”
“It’s not fine. I’ll replace everything, I’ll —”
“Leave it.” The tone of a man who has made a decision he is not going to explain.
“Cornbread, come here right now.”
The goat got off the chair and walked out the door with enormous dignity.
And Elias stood at the sink while something moved through him. It was the particular feeling of a man who has been caught by something he never expected to be funny, who will not admit it, and who knows perfectly well that the work of not admitting it shows more than the laugh ever would.
Ruth saw it. She said nothing. She walked home across the yard — hips rolling easily with her stride, shoulders back, rope swinging loose in one hand — and she was smiling.
