The Duke Gave Her the Servants No House Would Take—They Ran the Finest Kitchen She’d Ever Eaten In
Chapter 14
Mary did not open it that night.
She stood in the doorway with the candle and counted. Fourteen bundles on the far shelf, of which eleven were tied with black tape and three with red, and she had run out of candle before she had run out of shelf. That was as far as her nerve went: she put her thumb on the spine of the bundle marked TURNER, and she felt the paper give a little, dry as a leaf, and then she took her hand away and shut the door and locked it and went down the passage with her heart going like the third stair.
She lay awake until the scullery drip and the tick of the range had both stopped, and then she got up in the dark and fetched the little red book and sat by the embers and wrote down what she had seen. Fourteen bundles. Eleven black, three red. One marked TURNER.
Then she wrote a second line, and she underlined it, not twice as she had underlined beams sound, but once, hard enough to leave a groove in the page.
My father was under-gardener here twenty-two years and died in a drainage trench in February and was given no pension.
She slept two hours. In the morning she was in the kitchen before Mrs. Douty had opened the oven door, which had never happened once in the whole of that summer, and Mrs. Douty looked at her across the range with the long appraising look of a woman smelling a kitchen and said nothing at all, and put the kettle on for two.
The bundle was not about her father.
The bundle was about everybody.
That was what she learned over the three evenings that followed, sitting on the floor of the lumber room with the door shut and a candle in the neck of a bottle, in a coat pulled on over her dress because the room was cold even in September. The papers were not about her father at all. Her father’s name was on the outside of the bundle because the bundle was his: a thin sheaf, four pages, being the record of his hire at nineteen shillings the week, his increase to twenty-two at the age of forty-one, his death in service, and — in the stiff, ugly, looping hand of the estate’s man of business in London — three letters in reply, each one refusing the widow’s pension, each one using the word economy, the last of them dated February of the year Mary turned eleven, three weeks after her father had been put in the ground.
She read her mother’s name in that thin sheaf. She read her own name — the girl, Mary, aged eleven, no claim — and she sat for a while on the cold floor of the lumber room and put the flat of her hand over the paper the way Sarah Renn had made her put her hand over fifty pounds.
Then she opened the next bundle, and the next.
Peel, Harriet. Housekeeper, thirty-one years of service. Wages held back for the last four months of her illness, on the ground that she had not performed the duties of her post. A letter in her hand, which Mary recognized from her own three years of training and could not manage to read past the first line — I have served this house since I was thirty-three years old — and which had been put at the back of the bundle without a reply of any kind ever being written.
Renn, Sarah. Still-room maid, 1809 to 1841. Dismissed without a character at forty-seven years of age, on a Wednesday, for unsuitability. Mary put the paper down on her knee and looked at the wall for a long moment, and then read it again, because she had the whole of it now, the whole of the secret she had unwrapped in a biscuit tin: Sarah Renn had not left Ashwell Court as a woman free to go and spend her fifty pounds. Sarah Renn had been put out of the house at forty-seven, with no character and no pension, in the autumn of 1841, and had gone away down the Nether Ashwell lane carrying the tin’s location in her head like a stone. She had kept thirty-two years of sixpences under a floorboard, and the house had found out something, or suspected something, or simply wished to be done with her, and she had been turned into the lane with nothing but the clothes she stood in and the knowledge of what was under a board in a room she would never see again.
Which is why, Mary thought, sitting on the floor of the lumber room with the candle guttering, which is why she wrote to a stranger. Which is why the letter is addressed to whoever lifts the board. She knew. Even then, she knew that the one who found it would be the one who came after her into that room and looked where she had looked. And the last line of Sarah Renn’s letter came back to her with its whole weight for the first time: I hope this house has used you better than it used some of us.
The lumber room was not a lumber room. The lumber room was the place where a house kept its memory of what it had done to people, tied up in bundles with tape, in a room that had not been opened in Mrs. Peele’s time, so that the next housekeeper could be told, quite truthfully, that it was not opened in hers.
That was the other thing Mary understood, and it was worse than the files.
Mrs. Peele had known.
Mrs. Peele had been housekeeper here for thirty-one years and had said, on an afternoon when Mary had asked her about the locked door at the end of the passage, only that it was not opened in her time. Which was a true statement. Which was the most careful sentence a person could frame — the exact shape of a truth told in a doorway where somebody might be listening.
And then Mrs. Peele had given Mary her keys.
And Mrs. Peele had died, in April, having left the estate a housekeeper’s wage unclaimed for four months and a locked room at the end of a passage and no explanation of any of it.
Mary sat on the floor of that room for a long time after the candle had gone down to the last of its wax. When it went out she did not get up. She sat in the black dark and listened to the rain on the new slates — the slates she had signed for, the slates the estate had been paying for since 1853 and never bought — and she thought about a girl of eleven standing in a village kitchen being told that her father had died in a trench for a house that would not pay his widow two shillings a week.
In the morning, she went down to the kitchen and ate her breakfast with everyone else and said nothing about any of it.
But she took the little red book out of her pocket in the scullery afterwards, and she wrote a date on the next clean page.
Sept 18th.
Fourteen bundles. Three red. Open the red ones.
